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Pompei was a Roman town located in
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Campania, Italy about 14 miles southeast
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of Naples. It was catastrophically
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destroyed during the Plinian eruption of
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Mount Vuvius in 79 CE. An event that
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came to be known as the Pompei eruption.
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The eruption began with a violent
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expulsion of pummus and ash covering the
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city in lili, small fragments of
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volcanic rock during the early phase. In
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the later stages, pyrolastic surges and
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flows consisting of hot gas and volcanic
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debris swept through the city, burying
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buildings, streets, and inhabitants
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under several meters of ash and volcanic
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matter. This sudden burial created a
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time capsule that preserved structures,
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fresco, graffiti, mosaics, tools, and
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even the voids left by decomposed human
0:55
bodies, which archaeologists later
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filled with plaster to produce
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hauntingly detailed casts. Pompei
1:02
remained hidden beneath volcanic
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material for nearly 1,700 years. Its
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accidental rediscovery in the late 18th
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century during construction work
1:13
initiated under the Bourban rulers of
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Naples marked a significant milestone in
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the development of modern archaeology.
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Excavations soon revealed an
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extraordinarily detailed glimpse into
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the urban fabric, social life, and
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everyday practices of a typical Roman
1:31
city. As such, Pompei became one of the
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world's best known archaeological sites
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and was designated a UNESCO World
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Heritage site in 1997. The earliest
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stable settlements in the Gulf of
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Naples, dating back to the Iron Age, 8th
1:48
century BC, saw the Asai, a native
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Italic tribe, establishing small
1:54
communities near the estuary of the
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river Sarno on a low hill composed of
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ancient volcanic debris. This area,
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which would later become Pompei, lay
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within the fertile Sarno plane,
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benefiting from rich volcanic soil,
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ideal for agriculture, especially
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vineyards and olive groves. Due to its
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strategic location near key land and
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maritime trade routes, Pompei evolved
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into a critical node for commerce and
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It had easy access to the Bay of Naples
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and was situated along important roads
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linking other regional centers. As such,
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it attracted the attention of larger
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Mediterranean powers. The Atruscans,
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Greeks, and Samites each vied for
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control of the settlement in successive
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centuries. The Greeks with colonies in
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nearby Kumi and Nepalis, modern Naples,
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left cultural imprints, including
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architectural and artistic influences.
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The Samites eventually gained control in
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the fifth century B.C.E., fortifying the
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city and expanding its infrastructure.
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In 80 B.CE. After a period of political
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unrest during the Roman social war,
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Pompei was incorporated into the Roman
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Republic as a colony under the name
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Colonia Cornelia Veneria Pompanorum. The
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veteran soldiers of the Roman general
3:20
cull were settled in the city and it
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became firmly embedded within the Roman
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political, economic and cultural sphere.
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Over the next century, Pompei flourished
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as a Roman town, featuring public baths,
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amphitheaters, temples, marketplaces,
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villas, and a thriving urban population
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estimated to be between 11,000 and
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15,000 before the eruption. Pompei's
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layout and structures reflect the
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complex layering of its pre- Roman
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origins and Roman transformation. The
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presence of richly decorated villas such
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as the villa of the mysteries with its
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famous dishian frescos and institutions
4:02
like the forum, the stabian baths and
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the large theater reveal the
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sophistication of urban life and public
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leisure in Roman times. The site also
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yields invaluable information about
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Roman diet, religion, class divisions,
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enslavement, and even political
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campaigning as seen in the graffiti and
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electoral inscriptions preserved on its
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walls. T today, Pompei continues to be a
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focal point for archaeological research,
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conservation efforts, and global
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tourism. Ongoing excavations and digital
4:36
technologies further enhance our
4:39
understanding of Roman urbanism and
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daily life, making Pompei not just a
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monument to disaster, but a vibrant
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window into antiquity. The catastrophic
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eruption of Mount Vuvius in 79 CE
4:54
obliterated the Roman city of Pompei,
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but in doing so, it also remarkably
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preserved it. The layers of pummus and
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ash from the pyrolastic surges encased
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buildings, roads, objects, and most
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poignantly, the remains of many of the
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city's residents. This preservation
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extended not only to physical structures
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but also to a vast array of cultural
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artifacts, fresco, mosaics, jewelry,
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tools, furniture, religious items, and
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even delicate items such as scrolls from
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private libraries and charred loaves of
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bread still in ovens. Such extraordinary
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conservation makes Pompei one of the
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most vivid archaeological windows into
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Roman life. From the moment systematic
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excavations began in 1748,
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archaeologists and historians uncovered
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thousands of artifacts, and hundreds of
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human remains, sometimes isolated, but
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often found in dramatic groupings in
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homes, courtyards, streets, and public
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spaces. These scenes revealed haunting
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final moments. People sheltering in
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homes, fleeing in panic, or clinging to
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one another for comfort. A major
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breakthrough came in the 19th century. A
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new technique for preserving these voids
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left by decayed human tissue was
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discovered. By carefully pouring liquid
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plaster into the cavities formed around
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bones, life-sized casts of the victims
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were created, capturing their poses at
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the moment of death with a startling
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degree of realism. To date, over 1,000
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individual victims have been recovered
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in Pompei, and at least 104 plaster
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casts have been created using this
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method. These casts, often in
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expressions of agony or repose, have
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captured the public imagination for over
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However, in the 20th and 21st centuries,
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advances in imaging technologies and
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bioarchchaeology have prompted a
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reassessment of these casts. A major
7:00
restoration project undertaken in 2015
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sought to preserve and study 86 of these
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casts using X-ray and CT scanning to
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peer inside them without causing damage.
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Surprisingly, the scans revealed that
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none of the examined casts contained
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fully intact skeletons. Many have been
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manipulated during or after their
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creation, often reflecting the aesthetic
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preferences of the period. Some casts
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were filled with reinforcing rods or
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wires to stabilize the form. Others had
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bones removed before casting or were
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creatively completed to evoke certain
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emotional narratives. For instance, a
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cast previously interpreted as a
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pregnant woman was shown thanks to
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modern imaging to have a bulge likely
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caused by folded or bunch garments, not
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a distended abdomen. These findings
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underscored how interpretations of the
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dead of Pompei have often been shaped
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not just by archaeological data, but by
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modern sensibilities, restoration
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decisions, and even romanticized
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storytelling. To supplement this visual
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and morphological data, scientists have
8:10
turned to the emerging field of ancient
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DNA analysis. While volcanic heat and
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time had severely degraded organic
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material, bioarchchaeologists and
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geneticists have succeeded in extracting
8:22
DNA from both human and animal remains
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in Pompei. Recent studies have
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demonstrated that it is possible to
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retrieve genetic material even from the
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heavily degraded fragmentaryary bones
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found within some of the casts. In a
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significant study, researchers focused
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on 14 plaster casts undergoing
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restoration, carefully sampling skeletal
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fragments mixed with plaster scientists
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were able to recover genetic data that
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would otherwise be inaccessible. Their
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goal was not only to analyze ancestry,
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but to explore whether assumed
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relationships based on the physical
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proximity or pose of individuals had any
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Previous assumptions such as family ties
9:07
inferred from groupings could now be
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tested scientifically. In many cases, no
9:13
close biological relationships were
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found between individuals buried
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together. This calls into question
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earlier assumptions based purely on body
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language or context. It also challenges
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long-standing interpretations of who
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these victims were. Families, lovers,
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servants, or strangers caught in the
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same fatal moment. A major breakthrough
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came from one victim discovered in the
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Casadel Fabro, House of the Blacksmith,
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whose genome was successfully sequenced.
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His genetic profile showed that he
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belonged to the imperial Roman gene pool
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sharing ancestry with populations from
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the Lam region which includes Rome.
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Interestingly, his genome showed
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influence from the Eastern Mediterranean
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consistent with what we know of the
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Roman Empire's cosmopolitan nature,
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especially in port cities like Pompei.
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This suggests that Pompei like Rome was
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a multithnic mobile society reflecting
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the trade networks, migrations and
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cultural exchanges of the Roman world.
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However, bioarchchaeological studies of
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the broader Pompeian population show
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evidence of non-metranial traits and
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skeletal markers that may point to
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genetic homogeneity or shared
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environmental influences. This apparent
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paradox between genetic data suggesting
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diversity and osteological data
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suggesting similarity highlights the
10:39
complexity of ancient populations. It's
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possible that Pompei's population
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included both long settled families and
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newcomers from across the empire. To
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further refine these insights,
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scientists are now combining ancient DNA
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analysis with strontium isotope studies,
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which can reveal where individuals spent
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their childhoods based on the geological
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signature in their teeth. Together,
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these methods can help reconstruct
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patterns of migration, social mobility,
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and kinship in one of the most tragic
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yet illuminating archaeological contexts
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of the ancient world.
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In essence, Pompei is no longer just a
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silent city frozen in time. It is
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becoming a genetic archive of human
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lives, offering profound insights into
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the biological, cultural, and social
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dimensions of Roman urban life on the
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eve of disaster. Out of the 14 samples,
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five provided usable genetic data. These
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samples gave either full or partial
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mitochondrial DNA which is passed down
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from the mother and also included parts
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of the nuclear DNA. The quality of the
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DNA showed signs typical of ancient
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remains confirming that it was authentic
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and not from modern contamination. All
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five individuals were identified as male
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using DNA testing. By analyzing the Y
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chromosome inherited from the father,
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the men were found to belong to genetic
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lineages, which lineages first appeared
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in Western Asia thousands of years ago
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and are still common today in Western
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and Central Asia, Southern Europe, and
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North Africa. When researchers compared
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the DNA from these individuals, they
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found no close family relationships
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between them. None were related, even up
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to third cousins. This study shows that
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despite being buried in volcanic ash for
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nearly 2,000 years, it's still possible
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to recover genetic information from the
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Pompei victims. It also reveals that the
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city's residents had genetic roots
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connected to a wide area across the
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Mediterranean and Western Asia,
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reflecting Pompei's role as a diverse
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and well-connected Roman city. The study
12:52
of ancient DNA from Pompei's plaster
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cast individuals reveals a population
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with diverse ancestral roots. Distinct
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from both modern Italians and earlier
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Iron Age groups like the Atruscans.
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Instead of clustering with local Italian
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ancestry, these individuals showed
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closer genetic ties to populations from
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the Eastern Mediterranean, the Levant,
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This aligns with findings from Imperial
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Rome, suggesting that Pompei, like the
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broader Roman Empire, was a cosmopolitan
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hub where people from across the
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Mediterranean lived and mingled. The
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genetic makeup of these individuals
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varied, but most carried ancestry linked
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to early farming populations from
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Anatolia, modern Turkey, and the Levant,
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along with significant contributions
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from ancient Iranian farmers. One
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individual stood out with a mix of
13:47
Levventine and bronze age step
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pastoralist ancestry indicating possible
13:53
European influences. Another had almost
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no Anatolian ancestry and instead
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closely matched ancient Levventine
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people suggesting recent migration from
14:03
that region. Further analysis pointed to
14:06
even more specific origins. Some
14:09
individuals aligned best with ancient
14:11
populations from Western or Central
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Turkey, while another closely resembled
14:16
Henistic Egyptians, hinting at North
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African roots. The only previously
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studied Pompei genome, labeled F1R, was
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primarily Levventine with some European
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ancestry. Together, these findings paint
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a picture of Pompei as a vibrant,
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multicultural city where people of
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different ancestries from the Near East,
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North Africa, and Europe lived side by
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side, reflecting the vast connections of
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the Roman world. The genetic analysis of
14:47
the Pompei victims provides insights
14:49
into their family backgrounds and
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physical traits. Only one individual
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labeled as 52 had enough DNA data to
14:58
study their family history. The results
15:01
showed no signs of close inbreeding,
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suggesting that Pompei's population was
15:06
large and diverse rather than a small
15:09
isolated group where people married
15:11
relatives. This aligns with historical
15:13
records describing Pompei as a bustling
15:17
port city with a mix of locals and
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Some skeletal features shared among
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eruption victims were previously thought
15:26
to indicate a shared genetic background,
15:29
but the genetic diversity found in this
15:31
study suggests these traits may instead
15:34
be due to environmental factors during
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growth. When it comes to physical
15:39
appearance, the DNA hints at likely
15:41
brown eyes for three individuals and
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dark skin and black hair for individual
15:47
52. The study also detected some genetic
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markers linked to disease risks, but due
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to limited data, it's unclear whether
15:55
these actually affected their health.
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The findings also challenged some
15:59
long-held assumptions about the plaster
16:01
cast victims. Over the years,
16:04
archaeologists and the public have
16:06
speculated about their identities,
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relationships, and even social status
16:11
based on their poses and belongings.
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However, without solid scientific
16:15
evidence, many of these interpretations
16:18
were based on guesswork. Now, genetic
16:21
and isotopic data provide a more
16:23
accurate picture, correcting some of the
16:25
myths and revealing a more diverse and
16:28
interconnected population than
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previously imagined. This new evidence
16:32
helps reshape our understanding of who
16:35
these people really were. The house of
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the golden bracelet is a grand Roman
16:39
house in Pompei built on a hillside with
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beautiful views and richly decorated
16:45
walls. Its name comes from a golden
16:48
bracelet weighing over 6 g that was
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found on the arm of one of the victims
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discovered inside. The house was
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designed in a luxurious style combining
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features of a traditional Roman home and
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a countryside villa with rooms spread
17:02
over three levels. In 1974,
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archaeologists found four victims close
17:08
together in this house. Based on their
17:10
positions, ages, and the presence of the
17:13
bracelet, they were long believed to be
17:15
a family. A mother, individual 52, a
17:18
father, individual 50, and two children,
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individuals 51 and 53.
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One child was even found positioned as
17:30
if being held by the adult which
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supported the idea of a mother and
17:34
child. A nearby child, individual 53,
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was assumed to be a young boy because of
17:40
a bulge in the cast. However, modern
17:43
scientific tests tell a different story.
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When researchers analyzed their DNA,
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they found that all four individuals
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were male, including the person
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previously believed to be the mother.
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The idea of a traditional family group,
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a mother, father, and children was not
18:01
supported by the genetic evidence. In
18:04
fact, there was no close genetic
18:06
relationship among any of the
18:07
individuals, at least not up to the
18:10
third degree, which includes cousins,
18:12
uncles, and grandparents. Even though
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they died together and were found close
18:17
to one another, they were not
18:19
biologically related. Also, their
18:21
ancestry was different. DNA analysis
18:25
showed that the individuals had roots in
18:27
various parts of the Eastern
18:28
Mediterranean and North Africa, which
18:31
adds to the evidence that Pompei was a
18:33
diverse city. One of them, individual
18:36
52, the one with the bracelet, likely
18:39
had dark skin and black hair, while the
18:42
two children had brown eyes. The group
18:44
had likely tried to escape the eruption,
18:47
taking shelter near staircase. Sadly,
18:50
the building collapsed as they tried to
18:52
flee. What looked like a family group
18:54
caught in a tragic moment was likely a
18:57
group of unrelated people who happened
18:59
to be in the same house at the wrong
19:01
time. This finding challenges
19:03
long-standing beliefs and shows how
19:06
modern science can reshape what we think
19:08
we know about the past. The house of the
19:11
cryptoorticus is located in a part of
19:13
Pompei known as Insulus 6, Reio. It was
19:18
originally built in the 3rd century
19:20
B.C.E. and is named after a special
19:23
underground hallway called the crypto
19:25
porticus which ran along three sides of
19:28
its beautiful garden. This passageway
19:30
had small openings for light and air.
19:34
The house also had a fancy living room
19:36
called an ekus and four connected rooms
19:39
for bathing, each with different water
19:41
temperatures, cold, warm, and hot. like
19:45
an early Roman spa. The rooms were
19:47
richly decorated with beautiful wall
19:50
paintings, including scenes from Homer's
19:52
Iliad, showing that the house belonged
19:54
to someone wealthy and cultured. During
19:57
excavations in 1914, archaeologists
20:00
found nine people who had died in the
20:03
garden of the house during the eruption
20:05
of Mount Vuvius. They were only able to
20:08
make plaster casts of four of the
20:10
bodies. Two of the casts known as
20:13
individuals 21 and 22 were found lying
20:16
very close together almost as if in an
20:19
embrace. Because of this, some
20:22
archaeologists guess that they might
20:23
have been sisters, a mother and
20:25
daughter, or lovers. A later CT scan
20:28
showed that individual 21 was a teenager
20:31
between 14 and 19 years old, while
20:34
individual 22 was a young adult. At
20:37
first, scientists couldn't tell their
20:39
sex just by looking at the bones. But
20:42
when they examined DNA from individual
20:44
22, they found that this person was
20:46
actually male, which ruled out the idea
20:49
that the two were sisters or a mother
20:51
and daughter. The DNA of individual 22
20:54
showed he had ancestry common in the
20:56
Mediterranean and was likely connected
20:59
to ancient Anatolian, modern-day Turkey
21:01
populations. His maternal ancestry
21:04
traced through mitochondrial DNA pointed
21:07
to roots in the near east or north
21:10
Africa. Individual 21 also had DNA
21:14
recovered from a mother's side and the
21:16
two did not share the same eternal line,
21:18
meaning they were not mother and child,
21:20
at least on the mother's side. In short,
21:23
although they died close together and
21:25
were once thought to be family, modern
21:28
science shows they were not closely
21:30
related and both might have come from
21:32
different parts of the Mediterranean
21:33
world, adding to the picture of Pompei
21:36
as a diverse and multicultural city. The
21:38
Villa of the Mysteries is a large Roman
21:41
house just outside the ancient city
21:43
walls of Pompei near where the sea used
21:49
It was first dug up in the early 1900s,
21:52
and even today, researchers are still
21:54
studying and preserving it. Amazingly,
21:57
many of its walls, ceilings, and
22:00
paintings survive the volcanic eruption
22:02
in very good condition. The villa got
22:05
its name from a room decorated with
22:07
beautiful wall paintings called frescos
22:10
that show a mysterious ritual likely
22:13
related to Bakis, the Roman god of wine
22:16
and celebration. These paintings date
22:18
back to the 1st century B.C.E. and are
22:20
some of the most famous in Pompei. Like
22:23
many rich Roman homes, this villa had a
22:26
lot of rooms and even included areas for
22:29
producing wine and oil. A wine press was
22:32
found inside, proving the family made
22:34
their own products. During the eruption
22:36
of Mount Vuvius, several people died at
22:39
this villa. In the first phase of the
22:42
eruption, two adults believed to be
22:44
women and a child were caught in falling
22:47
debris on the upper floor of the
22:48
farmhouse section. Later, six more
22:51
people died in the second wave of ash
22:53
that followed. One of them was
22:55
individual 25 who was found alone in a
22:58
room lying on a layer of ash. This
23:01
person had some personal items with him,
23:03
a ring with a carved gem, five bronze
23:05
coins, and a whip. These details led
23:08
archaeologists to believe that he may
23:10
have been a servant or caretaker of the
23:12
villa who stayed behind during the
23:15
disaster. His plaster cast is one of the
23:18
most detailed, showing parts of his
23:20
clothing and body features clearly. He
23:23
was tall, about 1.85 m, slim, and had a
23:29
Earlier guesses about this individual's
23:31
life were based on these items and his
23:34
pose. But when scientists studied his
23:36
DNA, they confirmed he was male and had
23:39
a mixed ancestry, possibly linked to
23:42
both Eastern Mediterranean and European
23:44
regions. To learn more about where this
23:47
man might have grown up, researchers
23:50
also analyzed his teeth and bones for
23:52
chemical clues. The results showed that
23:55
the stranchium and oxygen in his body
23:57
matched the environment around Pompei
24:00
and the central Italian coast, which
24:02
suggests he likely lived in or near
24:04
Pompei for most of his life. This
24:07
finding adds to the bigger picture that
24:09
Pompei was a diverse and connected place
24:12
where people of different backgrounds
24:14
lived together. The study also points
24:16
out how some old ideas like assuming
24:19
people wearing jewelry were women or
24:21
that people found together must be
24:23
related are often wrong. For example, in
24:26
another house nearby, the house of the
24:28
golden bracelet, for people were long
24:30
believed to be a family, a mother,
24:33
father, and two children. But DNA
24:36
analysis proved they were not related at
24:39
all. In fact, some people thought to be
24:41
women were actually men based on their
24:44
DNA. These discoveries show that we need
24:47
to be careful when we tell stories about
24:49
the past. Sometimes archaeologists or
24:52
museum workers change the position of
24:54
the plaster cast to fit a certain story
24:57
which might not have been accurate. But
24:59
now with modern science like genetics
25:01
and chemistry, we can get a more
25:03
truthful and respectful understanding of
25:06
the people who lived and died in Pompei.